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The crisis of literature, in contrast with the confidence of the sciences, is essentially a crisis of memory and transmission. The creation of works of art is only a valid way to spend a life if those works are preserved—if they are made exceptions to the general oblivion that nature designed for us. But the sciences do not require this kind of exceptional preservation. They make use of intellect in a way that imitates nature, because the progress of science both incorporates and obliterates each contributor, in the same way that the progenitor is both incorporated and forgotten in his descendants. For the artist, the creation of a work of genius is an alternative to parenthood; for the scientist, it is an imitation of parenthood. This helps to explain the shame of the artist in the face of the scientist, which is that of the celibate in the face of the progenitor, the unnatural in the face of nature.
—Adam Kirsch
Monday, January 04, 2021

An interval

An interval in an infinity is an infinity.

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Michael C. Rush (aka M. C. Rush)
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(Site was originally called @ Wit's End, then
The Shattered Mirror, before becoming Webnesia.)

Defender of Truth & Justice since (approx.) 1973!