If what’s always distinguished bad writing—flat characters, a narrative world that’s clichéd and not recognizably human, etc.—is also a description of today’s world, then bad writing becomes an ingenious mimesis of a bad world. If readers simply believe the world is stupid and shallow and mean, then [Bret Easton] Ellis can write a mean shallow stupid novel that becomes a mordant deadpan commentary on the badness of everything. Look man, we’d probably most of us agree that these are dark times, and stupid ones, but do we need fiction that does nothing but dramatize how dark and stupid everything is? In dark times, the definition of good art would seem to be art that locates and applies CPR to those elements of what’s human and magical that still live and glow despite the times’ darkness. Really good fiction could have as dark a worldview as it wished, but it’d find a way both to depict this world and to illuminate the possibilities for being alive and human in it.
—David Foster Wallace
Holding down a job (Toltz)
The worst thing you can say about someone in a society like ours is that they can't hold down a job. It conjures images of unshaven losers with weak grips watching sadly as the jobs slip free and float away. There's nothing we respect more than work, and there's nothing we denigrate more than the unwillingness to work, and if someone wants to dedicate himself to painting or writing poetry, he'd better be holding down a job at a hamburger restaurant if he knows what's good for him.
Steve Toltz, A Fraction of the Whole
Labels: quote
